Work.

Estertor

Synopsis Natalia, a brilliant and competitive surgeon, spirals into self-destruction when her patients begin to die inexplicably on the operating table. Harassed by the hospital and ostracized by her colleagues, she must confront a mysterious presence threatening to take away her career, her sanity, and her life.

I worked as the VFX Supervisor for this short film, ensuring everything on set was properly prepared to achieve the visual effects in the best possible way during post-production. I was also the artist behind the mysterious presence or creature, which was a very exciting and challenging experience, both creatively and technically.

Aerthlings

I had the chance to work on a really cool commercial that mixed live action with Aerthlings, a fun video game that also has its own 3D animated YouTube series. I handled all the compositing work — green screen shots, phone screen replacements, and bringing CGI characters into the live-action footage. I also worked on the particle FX, helping blend the game world with the real footage so everything felt more connected and seamless.

Famous Creation LLC

During 2025–2026, I spent four months working for the Hollywood production company Famous Creation LLC. They brought me on as a compositing artist for the upcoming Christmas film 'I Fell in Love with Santa'. I worked on more than 30 shots, mainly focusing on cleanups, hair removal, and de-aging work. It was a great opportunity to experiment with new technologies and the first time I used ComfyUI in a real production environment — my workflow was primarily based in Nuke and CopyCat, with ComfyUI generating background elements for advanced hair cleanup and frizzy hair removal tasks. A very challenging project due to both the shot count and the level of quality required, but the final result turned out really well — an incredibly rewarding experience that pushed both my technical and creative skills further.

El Rito de los Ñáñigos

Synopsis El Rito de los Ñáñigos is a short film that explores family bonds, the weight of tradition, the fragility of childhood, and the dangers of religious dogma through the eyes of Nelson, a 10-year-old Cuban boy.

I worked as the VFX Supervisor on this project. The work was mainly focused on compositing, ensuring that all the visual elements blended seamlessly and supported the overall tone of the film. A challenging and rewarding experience, and I'm really happy with how the final result turned out.

Silver's Anniversary

Silver's Anniversary is a short horror film in which I worked as a VFX Artist. My work focused mainly on complex compositing shots — adding visual details, blood effects, and enhancing the overall realism of the scenes. I also worked on several demanding water and blood simulations for extreme close-up shots, where achieving believable and realistic results was essential. These sequences required a high level of technical precision and attention to detail. I'm very happy with the final outcome, and the film is currently being showcased at international film festivals.

Eye of the Untold Her

I had the opportunity to collaborate with Vanguard VFX on this music video for Lindsey Stirling. I worked on various simulations to create the magical fire wings featured in one of the scenes — a very technically demanding FX setup, and I think the result came out really well.

Voyager

Synopsis When a shy, socially anxious night janitor, cleaning up after Barcelona's affluent party crowd, discovers a mysterious drug that lets her shed the boundaries of her physical self, she breaks out of her isolation and opens herself up to the people she desires… but her newly gained freedom comes at a heavy price.

Voyager is an award-winning short film in which I had the pleasure of working as VFX Supervisor. The visual effects were technically very challenging due to the complexity of creating photorealistic scenes involving a truck falling off a cliff, crashing, and burning. It required months of hard work, problem-solving, and careful attention to detail, but I believe we achieved very strong results. The project was recognized with the Best VFX Award at the Fantastik Granollers in Spain and at the Kork International Horror Film Festival in Turkey.

Be Who You Are

Directed by Ernest Desumbila. During my time at Sauvage.tv as an FX Artist, I had the opportunity to work on this Coca-Cola music video campaign featuring NewJeans, Camilo, Jon Batiste, J.I.D and Cat Burns. It was an amazing experience surrounded by an incredibly talented team, and I learned a lot throughout the project. As an FX Artist, I mainly worked on a background particle setup for a series of shots — I had the chance to experiment extensively to find the best possible look and achieve the mood the supervisors were aiming for. The setup became quite complex, as I needed to repel particles from the live-action actors by placing and animating geometry around their positions to drive the interaction correctly. A big focus was making the particle movement and trails feel organic and magical, and I'm really happy with how the final look turned out. I also contributed to several robot and city shots, creating atmospheric fog and volumetric effects to add extra depth and detail to the fully CG environments. I think the final result came out amazing, and I'm very proud to have been part of such a beautiful project.

Ven al Cine…

Official commercial for the 'Ven al Cine' 2023 campaign for the Spanish Cinema Federation (FECE / FEDICINE). At the end of 2022, I had the opportunity to be part of the spot — I worked on three shots for the project, including two fully CGI space shots. A very demanding project, but the final result turned out incredibly well. The commercial was shown in cinemas all across Spain, and it was an amazing feeling to see my work displayed on the big screen.

Terre d'Hermès

Spec commercial — VFX work and CGI integration crafted to enhance the brand's signature cinematic visual language.

Sauvage.TV

My first professional experience inside a VFX studio — an amazing time surrounded by an incredibly talented team where I learned a lot throughout the process. I worked on cloth FX and simulations for the Cluedo series and contributed as FX Artist on additional commercial projects across the studio's pipeline during my internship.